davidh.co Fragments & Field Notes

"The noise of his own feet on the metalled[1] road became irritating."
— C.S. Lewis, Out of the Silent Planet, Chapter One


# The Irritation of the Ordinary

I overlooked this unassuming sentence in all of my early readings of this book. Now I think of it as a pebble dropped into deep water. Too small to notice. Hardly a splash, but it goes deep! It is one of the first signals that the protagonist is ready for a deeper journey. It wraps itself in the ordinary, to allow the ordinary to be heard, and in this case felt - felt as irritating.

The metalled road, once a sign of progress and certainty, here becomes grating. Ransom walks along it—technically “on the right path”—but something in him is beginning to rebel. The sound of his own footsteps, evidence of motion, becomes evidence of dissonance. He’s not lost—but neither is he at home.


# Poverty of Meaning: The Restlessness Before the Journey

This irritation is more than sensory. It is existential. The structured road no longer offers meaning—it echoes back his own alienation.

There are moments in life where everything is technically “fine,” and yet nothing feels right.

This is not depression. This is not crisis. It is something more subtle: the beginning of longing.

In the old myths, the hero is not launched into adventure with fireworks. Often, they are first made aware of a subtle poverty—an ache in the ordinary, a dryness in the daily rhythm. That ache is what prepares them to leave the road.

Ransom’s irritation is not a complaint. It is a call he is about to answer.


# The Road as Symbol of False Security

In modern life, we walk many "metalled roads"—efficient, paved, practical paths:

And for a while, these roads serve us well. But eventually, some deeper part of us notices that our own motion feels circular, or even hollow. The rhythm of our steps is no longer a comfort—it becomes noise. "Irritating."

In that moment, we begin to wake up to the fact that something needs to change.


# Readiness for the Unknown

By the time Ransom reaches the point of this irritation, he is already walking physically—but spiritually, he is waiting. He doesn't know what for. But the sensory annoyance is a quiet grace. It alerts him that his life, though seemingly stable, is uninhabited at a deeper level. He has moved out of, or never moved into, some part of himself.

This readiness is not dramatic or loud. It doesn’t need to be.

It is often the small irritations that signal the our hunger for transcendence.

And so, the journey begins—not with a bang, but with a subtle shift in perception. A familiar sound becomes intolerable. The path we know loses its charm. And something in us whispers, This is no longer home.


# Reflection

If the sound of your own steps has grown irritating, take heart.

You are not failing. You are not broken.
You are beginning to hear your call.

Maybe the irritation is the burning bush,
and maybe the metalled road is the desert floor
and your real journey is waiting.

Let the irritation speak. Listen. Let it tell you it’s time to turn aside.
Let it lead you, gently, off the road.

Not to escape,
but to awaken.



  1. Metalled road is a British English term referring to a road that has been surfaced with crushed stone or gravel and often sealed with tar. The “metal” refers not to actual metal, but to the crushed rock—road metal—used in the surfacing. It evokes not only the physical hardness of the path but also a sense of industrial, impersonal structure. ↩︎